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Guitar lick rock

The main focus here in terms of vocabulary is classic rock, which we're going to define for the purposes of this study as pre-Van Halen, so you'll find no eight-finger tapping, no three-octave sweep picked arpeggios and no 32nd-note legato monster licks. What you will find, however, is a choice selection of medium-tempo classic rock phrases that are stylistically diverse, melodically flexible, and display a wide range of articulation and dynamic devices. They are all also completely useable to guitarists of many levels and in a variety of settings. It's arguable that it's this mid-tempo range phrasing that really establishes the character of a rock guitarist. When the tempo gets cranked up there are generally less workable options. You'll often find the same fingerings and melodic pathways being adopted by a large number of players, but it's the melodic phrasing and note selection that really allows their personality to shine through.
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22 Guitar Licks You Must Know for Rock, Blues and More! | TAB + AUDIO

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Five Iconic Rock Guitar Licks Every Player Should Know | Guitarworld

This lick uses a call and response pattern. Bar one sets up the call by using a double bend at the 9th fret and bar two is the response. As always start off very slowly with a metronome at around 60bpm and build up to the full speed of 85bpm gradually. Double-stops can help break the pattern of only using single note licks in your soloing. John Mayer is a huge fan of this idea and uses it to great effect in tracks like Belief on the album Continuum. The rhythmic pattern is identical in both bars, and the first four notes of both phrases are the same. Watch and listen carefully to the bends and vibrato used in this lick.
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Guitar Essentials: 22 Classic Blues-Rock Licks You Can Use Right Now

In my first 25 years of teaching rock guitar, I isolated the key moves from the Pentatonic Scale that must be mastered before the door would be open for playing real rock licks in a professional manner. I found that these key moves were never taught in isolation as they need to be, and certainly not with all the micro-details that must be known and appreciated before that move could be played easily, and fluidly. Here is Essential Rock Lick It is taken for granted, and not given proper attention. No student is going to get very excited by being given just two notes to practice, or so goes the thinking of most guitar teachers.
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What could you possibly gain from it? But more importantly, you should listen to the music you like, just as much as you practice it. This will help you develop an intuitive sense of continuity in improvisation and composition.
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